Hi readers!
Recently, I had the chance to visit the Baltimore Museum of Art in Maryland, and it was such a rewarding experience.
One exhibit that really stood out to me was the Cone sisters collection.
Seeing these works in person was incredible. I’ve always enjoyed reading about art, but being up close made me appreciate it on a whole new level. The textures, the brushstrokes—it felt like I was seeing the world through the artists’ eyes.
About the Cone sisters
The Cone sisters, Claribel and Etta, were passionate American art collectors. What amazed me was how much they were able to accomplish, especially during a time when women weren’t typically seen as influential in the art world. Their collection, which they left to the museum, has over 3,000 pieces, including works by artists like Matisse and Picasso. I learned that they were close friends with Matisse himself, which explains why their collection includes so many of his pieces. Walking through the exhibit, I could feel how personal their connection to the art must have been.
The Collection at the Baltimore Museum of Art
As mentioned above, the Cone sisters’ collection is known for its extensive works by Matisse, and I was in awe as I stood before his pieces. His use of color and form captivated me, and I could see why the sisters were drawn to his work. One thing I noticed while walking through the Cone Wing was the intimate nature of their collection. It wasn’t just about acquiring famous names—it was about their personal relationships with the art and artists.
In 1949, after Claribel’s passing, Etta decided to bequeath their entire collection to the BMA, creating a lasting legacy. The Cone Wing houses works by Matisse, Picasso, Cézanne, and Gauguin, among others. I found myself wondering what it must have felt like for the sisters, standing in the salons of Paris, selecting pieces that would one day define a museum collection.
Legacy and Impact
What stood out to me the most, beyond the art itself, was the Cone sisters’ pioneering spirit. They defied traditional gender roles and became influential patrons in a male-dominated field. It was a bold move—supporting modern art when many people found it repulsive or incomprehensible. As I wandered the gallery, I couldn’t help but think about how their passion for art helped shift cultural perceptions and opened doors for artists who were once dismissed.
The BMA continues to honor their legacy through exhibitions and programs, and the upcoming Ruth R. Marder Center for Matisse Studies will further solidify their impact on the art world. What I took away from my visit was not just an appreciation for the art but a deep admiration for these two women who changed the course of art history.
Thanks for following along on this artistic adventure! My next post will dive into another iconic piece at the BMA, The Thinker.
Stay tuned!
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